Masters I draws from the visual language of modern Indian abstraction, where fractured forms and dynamic diagonals were tools of both tension and clarity. Echoing these visual cues in three-dimensional space, the collection turns structural geometry into sculptural furniture. 

Compact yet dynamic, these side tables are expressions of form-in-motion. The diagonal, central to the practices of Tyeb Mehta, Zarina Hashmi, and Mehlli Gobhai, shapes both structure and shadow here, ideal for layering next to soft furnishings.