Masters I draws from the visual language of modern Indian abstraction, where fractured forms and dynamic diagonals were tools of both tension and clarity. Echoing these visual cues in three-dimensional space, the collection turns structural geometry into sculptural furniture. 

This dining table is a quiet powerhouse, defined by a split across its surface that mimics fault lines, while its form remains grounded and composed. Drawing from the abstract geometry of Tyeb Mehta, the meditative precision of Zarina Hashmi, and the structural intensity of Mehlli Gobhai, it brings a sculptural edge to communal gatherings, with subtle material interplay adding depth and tactile richness to every shared meal.