Masters I draws from the visual language of modern Indian abstraction, where fractured forms and dynamic diagonals were tools of both tension and clarity. Echoing these visual cues in three-dimensional space, the collection turns structural geometry into sculptural furniture. 

These consoles are compositions of clean diagonals, cutting across surfaces with precision and poise. Echoing the visual language of artists Tyeb Mehta, Zarina Hashmi, and Mehlli Gobhai, each piece feels in motion even while standing still.