Masters I draws from the visual language of modern Indian abstraction, where fractured forms and dynamic diagonals were tools of both tension and clarity. Echoing these visual cues in three-dimensional space, the collection turns structural geometry into sculptural furniture. 

This slender console carries the tension of interruption, an elegant fracture across its legs creating a visual pause, while strong lines pull the form back into alignment, a balance of drama and restraint reminiscent of Tyeb Mehta’s bold tension, Zarina Hashmi’s quiet precision, and Mehlli Gobhai’s contemplative geometry. A sculptural accent for transitional spaces.