Masters I draws from the visual language of modern Indian abstraction, where fractured forms and dynamic diagonals were tools of both tension and clarity. Echoing these visual cues in three-dimensional space, the collection turns structural geometry into sculptural furniture. 

Angular yet ergonomic, this arm chair is built around the diagonal - a line that both defines and disrupts, much like in the works of Tyeb Mehta, Zarina Hashmi, and Mehlli Gobhai. The backrest slices across the frame, creating a bold silhouette with surprising comfort.